The band behind ‘Take Me Out’, Franz Ferdinand, are no exception, but there’s something about naming a band after the Austrian duke whose assassination triggered the outbreak of World War 1 that’s particularly awful. U2, Coldplay, Radiohead, The Beatles, Pink Floyd – regardless of how great they may be musically and commercially the reality remains that they all are garbage. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.Here’s a thought to consider: all band names are terrible.

If you believe you should have access to that content, please contact your librarian.įor librarians and administrators, your personal account also provides access to institutional account management.

The institutional subscription may not cover the content that you are trying to access. Oxford Academic is home to a wide variety of products. View the institutional accounts that are providing access.View your signed in personal account and access account management features.Some societies use Oxford Academic personal accounts to provide access to their members.Ĭlick the account icon in the top right to: See below.Ī personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. Some societies use Oxford Academic personal accounts to provide access to their members. If you do not have a society account or have forgotten your username or password, please contact your society. Do not use an Oxford Academic personal account. When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Tracing the interwoven tropes of human and wildlife endangerment from their colonial manifestations through to their postcolonial reverberations, clear connections between contemporary agendas and long repudiated positions emerge, particularly in the burgeoning field of biocultural diversity conservation.

Studying the history of this racist, imperialist analogy reveals that postcolonial era conservation efforts have roots in, and are often guilty of repeating, the colonial past. And by the late nineteenth century, the fates of those offensively labelled ‘wild tribes’ and ‘wild animals’ were frequently and explicitly linked in colonial discourse. It argues that long before there was even scientific awareness that non-human species could become extinct, there was a growing acknowledgement that cultures coming into contact with Europeans in the age of empire were vanishing by the early nineteenth century, while the phenomenon of species extinction was still disputed, the extinction of so-called primitive races was widely accepted. The chapter presents a broad, global, overview of the emergence of the concepts of endangerment and extinction with reference to indigenous peoples and the environment.

Franz ferdinand take me out guitar tabs